Even in a city full of candy-colored houses, artist Windy Chien’s San Francisco Victorian stands out. In the front, it features an ombré exterior that shifts from yellow to red; in the back, it morphs from yellow to green to bright blue. The design is as attention-grabbing as it is symbolic of her general outlook: “I believe in being super-omnivorous,” says Chien, whose various callings have included 14 years as the owner of an independent music shop and a near-decade stint as a product manager at Apple. These days, she’s a full-time fiber artist and wood-carving teacher, an about-face she initiated four years ago. “I don’t think I want to ever do just one thing.”
Inside, her home is “a patchwork of past lives,” says Chien, who shares the top two floors with her boyfriend, advertising copywriter Gary L. Baker II (the garden unit is occupied by a friend, with whom she purchased the building in 2010). In a nod to her Silicon Valley history, Chien’s macramé fiber art pieces—hanging on walls alongside vintage instruments and her grandmother’s needlepoint—recall the architecture of circuit boards. Her rope light pendants, draped in the living room, evoke the double helix structure of DNA.
“As an artist, I appreciate the beauty in things that we tend to think of as primarily functional,” she says. Which may be why she preserved a bare plaster wall in the main hallway for its unique cracked texture, or why she used the spiral staircase railing as a testing ground for her 15-foot-high Twisted Planes rope installation (now on display at a local tech company).
On some level, even Chien’s greyhound, Shelley Duvall, appreciates the design m.o., often settling into the most comfortable spots in the house at the moment they’re also the most beautiful. For instance, around 4 p.m., she heads to the guest room, when sunlight shines on the bed. “We don’t call it Casa Greyhound for nothing,” says Chien, laughing.